Get Free Ebook Keyboard Presents Steal This Sound
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Keyboard Presents Steal This Sound
Get Free Ebook Keyboard Presents Steal This Sound
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About the Author
Mitchell Sigman is a Los Angeles based keyboardist/guitarist/producer. His band Celebutante plays in the LA-area and has numerous film and TV track placements, including Jersey Shore, The Bold and the Beautiful, Monk, and others. Sigman has also been a writer for Keyboard magazine since 2004, penning their "Steal This Sound" column as well as numerous reviews.
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Product details
Series: Keyboard Presents
Paperback: 152 pages
Publisher: Hal Leonard; Original edition (August 1, 2011)
Language: English
ISBN-10: 1423492811
ISBN-13: 978-1423492818
Product Dimensions:
8 x 0.4 x 10 inches
Shipping Weight: 13.4 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#803,364 in Books (See Top 100 in Books)
It's about as useful and well organized as you would expect for a reprint of unrelated magazine articles. There are plenty of tricks to pick up from this book. Just be realistic about what you're going to get from it, which is probably 3-5 general synth programming tricks. It's not going to teach you synth programming by ear. It's not going to advance your skill with a particular synth - in fact it is counterproductive in the way it obscures the author's general approach by scattering examples over a huge variety of different synths. I understand that argument that posits this approach as useful for underscoring the universal nature of old school synth programming; however that happens anyway in better resources that illustrate concepts using a a free/open synth that nobody uses in real life, and the schizophrenic synth-jumping actually obscures the more important consistency of concepts. This book is entertaining and helpful if you are already up to speed with basic synth programming by ear.
This is a collection of articles of the same name that have appeared in Keyboard magazine in the past. The book makes a great reference for some quick "go-to" sounds, as well as a fun exploration of a wide range of keyboard tones for any synthesist wanting to expand their abilities. I especially appreciate how the author describes the "recipes" for synth tones in a generic language that can be applied to any instrument, rather than the often-seen examples that relate only to one synth and are useless to any others. In fact, it's a lot of fun to take one example and program it into all of my different synths, thereby revealing a lot about each of their unique characteristics and capabilities! The examples cover a wide range of sounds and uses, and contain many that I wouldn't have otherwise explored on my own.My only complaint with the book concerns the images of various synths. I assume they are there to visually show the settings described in the example as applied to that particular instrument. But the black and white printing hides some of the fine details. This isn't really a problem because the text of the examples are all very thorough, and in fact the entire book could stand on it's own without any images at all. The cost trade off for skipping color printing was probably worth it, and don't let this deter you from purchasing this otherwise great book.
This book is a great resource for learning how to create all those great analog sounds of songs past. The book is actually a series of articles from Keyboard Magazine where each article describes in detail how to create some of the coolest most memorable synth sounds from a wide range of bands and performers. Sounds from The Who, Depeche Mode and Thomas Dolby are all included.Although the author uses several different soft synths to demonstrate the concepts you should be able to get the same results on most any of the soft synths on the market. What the individual articles give you is a foundation from which to build where you can hear a synthesizer sound and then take what you have learned from dissecting the patches in this book and re create it on your own. The best part of doing that is sometimes you happen upon "happy accidents" and come up with some cool, original sounds.
The original articles might have been good, pictures are too small, and synth settings are very difficult to see. you're supposed to copy the synth settings, but the picture is black and white, and too small to even see what the setting are. You won't use the book.
The photos are in black and white which makes it very hard to get much benefit for studying synthesis patch programming/ audio design because you can’t really tell what you’re looking at.
its very usefull
book arrived timely and is quite useful for aspiring sound designers looking to increase their skills or just someone who wants to mimic a classic sound.
Got the item quickly, it is a birthday gift for a friend so I don't know about the quality but since he asked for it my guess is it is just what he wanted.
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