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Product details

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Audible Audiobook

Listening Length: 4 hours and 35 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Penguin Audio

Audible.com Release Date: July 10, 2018

Language: English, English

ASIN: B07CS6MFYC

Amazon Best Sellers Rank:

I have THE BIGGEST girl crush on Cara and of course I couldn’t wait to get my hands on this book. I am admittedly a self help/personal development junkie, but this book was EVERYTHING to me. The style, the flow, the way she talks to you like she’s your best friend sitting on your couch drinking wine with you and giving you the sweetest tough love.. if you can even call it that. Her writing has the ability to make you feel deeply connected to her through the pages. She writes like she talks in her social media stories and on her podcast and it’s so authentic, which is what I loved most. Her stories are relatable.. she has been through STUFF and she never sugar coats it or sits on a soapbox about it. She is inspiring without even trying and really makes you THINK. The structure of this book is amazing with the thought provoking questions sprinkled throughout the chapters to make you really reflect on what her message means to you. I truly can’t say enough about this book and I honestly feel forever changed just by reading it.. as corny as that may sound! I honestly want to buy this for birthday and Christmas gifts for every single woman in my life because this book is such a beautiful gift that all women need to experience!

Read this book in 3 DAYS! I felt bold! I bought a dress I wouldn't normally buy LOL, I was confident when dealing with a work issue, and I AM IN LOVE with myself for once. As she mentions in the book, much about confidence is 'unlearning' all the things we have been programmed to believe as young girls. I KNOW it is going to be a process, and I'm so down for this challenge. I love who I am becoming! If you need a foundation to start being more confident and believing in yourself, let Cara's books help you. My fave one!!!!!!

I love Cara and bought all her books... but this one is hard to relate to....She mentions quitting her job was such a huge sacrifice. But she has her husbands income to rely on, no kids... Anyone can quit their job when you have people to support you.Good points where made- but nothing you’ve haven’t heard before. This whole book could have been a Quora article.

Having loved GIRL CODE, I knew I would have to read Cara Alwill Leyba’s latest. What I wasn’t expecting was how truly amazing and inspiring this book was for me. The author empowers her readers through the lessons she learned over the years. On a personal and professional level, this book is a must-read to help you own who you are and rock it.I think, for me, my take away with this book was less business than I thought it would be. Because the author talks a lot about accepting yourself, "flaws" and all, I started looking at how I perceive myself and how much energy I was putting into looking as perfect as possible. Now, I will admit, I am not cured at succumbing to the photo filter or trying to take away my dark circles. However, I am learning to focus on the positive rather than the negative.After reading this book, I can see a shift in the force. I am slowly crawling out of my insecurity hole and can see a difference in multiple facets of my life.

I love love love Cara for how driven she is and that simply put: Cara IS magic. She is literally a walking manifestor-or that's what it feels like LOL. I admire her for her strengths, passion, and her brand of empowerment for women. After following her for 2 years or so I cannot deny that I am super proud of her hard work. This is her first time working with a publisher. The reason I gave this 4 stars is because I am a "feeling" person. Everything I pick up on is energy. The opening and the ending of this book is classic Cara-I can feel her soul in these parts. There were def points in the book that I resonated with but I felt like the voice I was hearing was rigid-not to insult-but in ALL of Cara's books her special spark is found line by line. From beginning to end I could feel her passion for her words. I didn't feel that as much in this book which lead me to think one of two things 1.pressure from publisher or 2. Too many opinions affecting the flow. This is my opinion but either way this will NOT be her last and I look forward to the next one.

This book has something for every woman out there. It’s impossible to read this book and not feel inspired, empowered, and feeling like you could take on the world with unwavering confidence! Cara shares so many raw, vulnerable personal stories that make her so relatable and easy to relate to and connect with. This is Cara’s best book yet, hands down.

Cara is one of the most inspiring, real women I know. She’s always interacting and uplifting her girl gang (Slay Baby Collective) on Facebook. I’ve been following her books, and have seen her evolution! This book is no different, it’s full of empowering advice and inspiration. She tells stories of her own struggles and how she was able to overcome them.I noticed there’s a one star review that said she comes off as “superior” in this one but I don’t get that vibe at all. I think Cara isn’t afraid to uplevel, and she brings all of her ladies right along with her.

I finished my first read through of Cara's Like She Owns the Place!! Some details if you're thinking about purchasing:1. I would recommend getting it!2. The book I got is a hardcover. The book itself is pink, with a black spine. The writing on the black spine is lime green. So cute!3. The style of the book makes it an entertaining, engaging read. Cara does a great job of mixing personal anecdotes, questions that prompt you to think, and quotes.4. There are writing prompts in the book to help you dig deeper into the content!! You guys didn't tell me that!! So awesome.5. Cara covers so many topics that I feel like are really at the core of insecurity. Those topics include self sabotage, beauty, the people you surround yourself with, and defining success in your own terms!I'm so excited to read through each section more slowly and work on the prompts!

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Like She Owns the Place: Give Yourself the Gift of Confidence and Ignite Your Inner Magic PDF

Like She Owns the Place: Give Yourself the Gift of Confidence and Ignite Your Inner Magic PDF

Like She Owns the Place: Give Yourself the Gift of Confidence and Ignite Your Inner Magic PDF

Like She Owns the Place: Give Yourself the Gift of Confidence and Ignite Your Inner Magic PDF

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Download Ebook An Atlas of Animal Anatomy for Artists (Dover Anatomy for Artists)

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From the Back Cover

Here are 288 remarkably lifelike drawings of animals, furnishing artists and students with an easy-to-follow method of instruction in the drawing of horses, dogs, lions, cows and bulls, stags, and goats. So detailed and so accurate are these drawings that this book has long been a classic work of its kind. The animals are shown in three ways: external full views and dozens of details (paws, head, eyes, legs, etc.); beneath-the-skin drawings of musculature and of the positions and insertions of each muscle; and skeleton drawings of the bone structures that support and determine surface contours and configurations. In addition, special cross-sections dissect those portions of the animal—such as the head and limbs—that are most important to the artist. For this edition, Lewis S. Born of the American Museum of Natural History collected 25 plates from George Stubbs's Anatomy of the Horse, long unavailable; Straus-Durckheim's Anatomie Descriptive et Comparative du Chat; and Cuvier and Laurrillard's Anatomie Comparée. These plates, as fully annotated as the plates that make up the original book, supplement Ellenberger, Baum and Dittrich with anatomical drawings of the monkey, the bat, the flying squirrel, the rat kangaroo, the seal, and the hare. Mr. Lewis also provided a new preface and added to the annotated bibliography, which now contains 66 items. "Highly recommended as one of the very few books on the subject worthy of being used an an authoritative guide."—Design "Illustrators, sculptors, and taxidermists who draw or model animals will welcome this new revised edition."—Natural HistoryEnlarged (1956) edition, revised by Lewis S. Brown, American Museum of Natural History.

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Product details

Series: Dover Anatomy for Artists

Paperback: 160 pages

Publisher: Dover Publications; 2nd ed. edition (June 1, 1956)

Language: English

ISBN-10: 0486200825

ISBN-13: 978-0486200828

Product Dimensions:

9.4 x 0.4 x 12.2 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

111 customer reviews

Amazon Best Sellers Rank:

#49,997 in Books (See Top 100 in Books)

I'm a professional illustrator. I own two copies of this book. The old one, the one I have had for almost thirty years, is in pretty rough shape but it's beautiful! I bought another new copy thinking that it was time to put the old one out to pasture. This new printing, however, is atrocious. Is it bootleg? Print-on-demand? Every image is much too dark, and precious detail is lost. It's a damned shame, because it *ought* to be a stunning visual reference.

This edition is printed so terribly!The illustration plates are beautiful and I have borrowed this book from the local library to use for school projects and wanted my own copy on hand. When I finally got the book in the mail, I was surprised at the poor quality for the 2014 edition.The ink is so dark on most of the illustrations and you cannot see the details very well on the anatomical plates. The paper is terrible and it might have something to do with the how poorly the illustrations are printed. It feels like cheap construction paper used for kindergartners school projects.I think this is a good book for Beginner's to use as reference, but you're better off looking for an older edition of this book.

It's exactly what I needed. Very detailed drawings of animal bones, muscles and animals in general. Very easy to understand location of bones and muscles by looking at these pictures.UPD I read other review,saying that quality of images in newer prints/editions are bad, it's true. I had same experience with other Dover books, new prints were horrible, illustrations are awful and etc. This one I bought USED and all illustrations are of really good quality! I believe it is second edition, year 1956.Now, when I know that older editions of Dover books are not bad, I might change other books from them to Used older versions.

Figured I post a review of this book since this is my second time purchasing it over the years. I bought it again recently for a class in creature design I'm taking next semester. The book only spotlights 5 or so animals, but they are the most common animals... which I guess that's more of an opinion, depending. The illustrations are detailed and show most of the major muscle groups and bone structure needed from the standard views (top, front, side, back, etc) and some close up detailed views of paws, mouths, legs, etc.Side note, I had this book about 10 years ago, wish I still had my old copy as the newer editions seem to be printed very, very dark. Some of the detail on the illustrations closed up in the printing which could be worst I suppose.. personally I would try to find a used copy of an older edition if possible as the details were much clearer and didn't print so dark.Still, it's a good reference book at a good price and worth the money despite the printing quality.

I wanted a book that specifically focused on horses. Anyonewhose drawn horses, even for years, knows that getting thisanimal down pat is no easy feat. Studying anatomy is a must.This is THE book.I have so much respect for the person who drew these plates.It's astounding work. The anatomy is shown from every angle;starting with skeletal plates, adding muscles and so forth,these plates "build" the horse from the inside out. Afterstudying the legs I cut myself some slack! This is a verybeautiful, complex animal. No wonder this is such a challengingsubject!There are smaller additional sections on a few animals as abonus. I found the cat skull study to be immensely helpful.I don't recommend this book for anyone who wants a how-toon every animal in the world, this isn't for you. Nor is it forbeginning artists. It is for serious artists who want to doin depth study of horses because we can't all just walk outsideand see horses everywhere. There's nothing like the real thing,but this is a good second choice when the real thing isn'tavailable for study.This is one of those books that I actually revere and am veryproud to have in my reference library. A serious resource forserious art study.

I have seen this book as a required text in several creature design and anatomy art classes. After getting much use out of an E-book version, I decided to get the hard copy as well. Its THAT useful! While I've noticed some reviews complain that it only features 5 animals, I might note that these are some of the most commonly used species in art, and the common house cat isn't going to vary that dramatically from the anatomy of a lion, past proportions. I LOVE the amount of detail given to each and every species, with pages of full orthographics from every angle, with specific focus given to the heads and limbs. There are also proportion scales provided.A HIGHLY recommended resource to anyone with an interest in zoology, anatomy, or creature design.

As many have said, the printing is way too dark. White cows are dark gray and so are bones. Sent it back. What a shame; it is a fantastic reference, without peer as far as I know.

I am an animal artist - this book is a bible for artists - it is important to understand the creatures before painting them and this book does all of that. it is also great if a person has not painted for sometime and to refresh their knowledge is a must and this book is essential for that.

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Ebook Free 48 Famous Studies for Saxophone V.1By W. Ferling

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Sheet music.

• Sales Rank: #438966 in Books
• Published on: 1942
• Binding: Paperback

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Free PDF Harmony Korine: Interviews (Conversations with Filmmakers Series)From University Press of Mississippi

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Harmony Korine: Interviews tracks filmmaker Korine’s stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker’s home in Nashville.

After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark’s Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur. He both intelligently observes modern social milieus and simultaneously thumbs his nose at them. Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative.

He parlayed the success of Kids into directing the dreamy portrait of neglect, Gummo, two years later. With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques. Surviving an early career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely), a gritty quasi-diary film (Trash Humpers), and a blistering portrait of American hedonism (Spring Breakers), which yielded significant commercial success. Throughout his career he has also continued as a mixed-media artist whose fields included music videos, paintings, photography, publishing, songwriting, and performance art.

• Sales Rank: #1915233 in Books
• Published on: 2016-01-19
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .56" w x 5.98" l, .81 pounds
• Binding: Paperback
• 252 pages

About the Author

Eric Kohn, Brooklyn, New York, is the chief film critic and a senior editor for Indiewire as well as the manager of the Criticwire Network. His writing has appeared in the New York Times, Cineaste, Filmmaker, and other publications. He is a member of the New York Film Critics Circle.

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Ebook Free Calamity (The Reckoners), by Brandon Sanderson

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Review

Praise for the Reckoners series: #1 New York Times Bestselling Series “Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind   “Action-packed.” —EW.com   “Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club ★“Snappy dialogue, bizarre plot twists, high-intensity action, and a touch of mystery and romance . . . leaves [readers] panting for the sequel.” —Booklist, Starred“An absolute page-turner."”—Publishers Weekly"A straight-up Marvel Comics-style action drama."—Kirkus Reviews

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About the Author

Brandon Sanderson is the author of the #1 New York Times bestselling Reckoners series: Steelheart, Firefight, and Calamity, as well as the internationally bestselling books in the Stormlight Archive and the Mistborn trilogy. He was also chosen to complete Robert Jordan's The Wheel of Time series. His books have been published in more than twenty-five languages and have sold millions of copies worldwide. He lives and writes in Utah. To learn more about Brandon and his books, visit him at brandonsanderson.com and follow @BrandSanderson on Twitter.

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Product details

Age Range: 12 and up

Grade Level: 7 - 9

Lexile Measure: 0700 (What's this?)

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Series: The Reckoners (Book 3)

Paperback: 464 pages

Publisher: Ember; Reprint edition (February 28, 2017)

Language: English

ISBN-10: 0385743610

ISBN-13: 978-0385743617

Product Dimensions:

5.5 x 0.9 x 8.2 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

961 customer reviews

Amazon Best Sellers Rank:

#32,071 in Books (See Top 100 in Books)

Many say that this is the weakest book of the Reconkers series, but I don’t agree. The first book was best, the second was the weakest, this landed somewhere in the middle. If you don’t agree though let me just say that being the WEAKEST novel doesn’t nessacarily mean it is the worst one of the series. This story was built on action, characters and setting. It was not at all a plot-driven story, rather it was the investment I had in the characters that kept me reading. The reason this book was the weakest of the series (I call it finale syndrome) was because it relied on plot when the other books didn’t. Instead of blissfully fluffing together a fast-paced adventure, we needed logical closure, and that’s where Calamity fell flat. The plot was always a bit shaky, and it was most noticeable in this book. It was always VERY far fetched - but hey that’s why we sci-fi and fantasy lovers read things like that don’t we? Anyway, it had to end somehow, and although the ending was confusing and stark in contrast to the rest of the series (easy to follow and fun) this required investment in the actual plot. I thought the ending was bizarre because it opened up the door for future books, or did it? It’s hard to tell and it didn’t give us complete resolution. The book was good, very Good in fact, but because it suffered such a bad case of Finale Syndrome, it can only get four stars in my opinion.

Like most great series I’ve read, I’m sad to see that the Reckoners series is over. Brandon Sanderson did not disappoint with the conclusion to the series, Calamity. In it, we find David, Megan and who’s left of the Reckoners team banding together to try to bring Prof back from the darkness of having embraced becoming an Epic. Megan did it (or is trying), so why can’t they do it for Prof, too? After they accomplish that plan, next they hope to destroy Calamity. But it is easier said than done, and more Epics and danger are ready to stand in their way.I’ve been told that the first book is being optioned for a movie, and I could not be more excited. Reading this series is akin to watching a Marvel movie. It has super-villains pitted against the heroes/Reckoners, so a lot of fighting and action occurring, with displays of supernatural abilities. We also have our main character, David, who is strong, smart, and determined… but also a bit silly and naïve. He provides much needed humor to what can be dark circumstances. There’s also a lot of camaraderie amongst the Reckoners, and chemistry between David and Megan. To me, everything comes together in just great storytelling. I would, and have, recommend this series to people who enjoy YA, action, sci-fi/fantasy, and superheroes with a twist.

David is determined to prove that the Epics can be redeemed. Prof, the most powerful Epic out there, is his target.This was my least favorite of the series by far. I was pretty disappointed as the first book started out so strong. But the ending was very unsatisfying. The beginning and middle of the story was fine, filled with David's hilarious metaphors and fun-snappy language between the Reckoner crew that had me smiling. But then its the climax of the story, and I just felt that it was completely rushed. The idea was there, but the execution was off.

The twists in this novel were inspired and kept me hooked until the very end. My only complaint is that I expected more fromBrandon Sanderson in regards to his "magic system." In his other novels like Mistborn his magic systems usually make logical sense and follow a pre-established set of guidelines. However, the longer this series goes on it seems like the powers, technology, and characters get a bit more thrown together. It seems like Sanderson didn't take the time to develop his characters and world building that are trademark Sanderson. This series seems to merely to be the product of a dinner conversation where one person asked the other "what would the world be like if Superman were a villain?"TLDR; Solid novel. Substandard world building from Brandon Sanderson.

"Calamity" is the third book in "The Reckoners" series, following "Steelheart" and "Firefight". "The Reckoners" series postulates an Earth like our own that has been overshadowed by an astronomical phenomenon that people have called "Calamity". The effect of this is that certain humans have developed super-powers. Unfortunately, this has not turned them into the Justice League. Just the opposite. They've taken over the planet, dividing it into fiefdoms, held according to how powerful their super-power is. And, they rule by fear and ruthlessness. The Reckoners are the human sixth column against the super-beings.This series has well-developed characters and an intricate plot. It has more twists than a pretzel, and it is sometimes hard to figure out who the bad guys are. It is a delightful read, but really needs to be read in order. If this is the first book you have encountered in "The Reckoners" series, look up "Steelheart" and purchase it first.Given that, I highly recommend this book. It is not suitable for young readers due to violence, but I'd consider letting teens over 14 years old read it.

This series as a whole is so so good. This finale was my least favorite of the trilogy only because I felt like the overall conclusion played it a little too safe for my liking. I still however though everything else was top notch. I love how Brandon Sanderson keeps increasing the tension. The world building expanded again as we made Ildithia our new playground for the story. Ildithia was so interesting. I never even would have imagined a town that is constantly shaping and reshaping from salt. It's such a cool concept. All in all I absolutely loved Brandon Sanderson's take on heroes and villains.Steelheart-5/5Firefight-5/5Calamity-4/5Reckoners Trilogy-14/15

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Free Ebook Exploratory Programming for the Arts and Humanities (The MIT Press)

Free Ebook Exploratory Programming for the Arts and Humanities (The MIT Press)

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Exploratory Programming for the Arts and Humanities (The MIT Press)

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Review

Exploratory Programming for the Arts and Humanities provides artists and humanists with privileged access to a highly sophisticated understanding of the concepts and practices that make computer code into such a powerful means of human expression. Nick Montfort is a reassuring guide through this forbidden realm, a master magician who is eager to share his tricks, a fellow humanist/artist who understands computation with an unusual intimacy and historical perspective, and who is bent on demystifying the arcane, celebrating the playful, and generally making the wonders of computation available to a wider range of cultural and creative explorers.―Janet H. Murray, Georgia Tech, author of Hamlet on the Holodeck and Inventing the MediumMontfort has constructed an entirely unique text in the crowded 'how-to-program' genre by focusing on programming as a mode of inquiry and on computation as culture. By infusing multiple programming languages, he presents a broad and balanced introduction to creative computing for humanists and artists. Montfort has deep knowledge and he writes with clarity. I've taught and written about coding and the visual arts for over fifteen years and I learned new things continuously throughout this singular and lucid book.―Casey Reas, Professor, UCLA Design Media ArtsMontfort's new book is not just a textbook for humanists and artists who want to learn to program. It is a guidebook for reflecting on the mode and the means of creation and critique in the digital realm and the profound impact these endeavors have on society.―Tanya E. Clement, School of Information, University of Texas at Austin

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About the Author

Nick Montfort is Professor of Digital Media at MIT. He is the author of Twisty Little Passages: An Approach to Interactive Fiction and Exploratory Programming for the Arts and Humanities; the coauthor of Racing the Beam: The Atari Video Computer System and 10 PRINT CHR$(205.5+RND(1)); : GOTO 10; and the coeditor of The New Media Reader (all published by the MIT Press).

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Product details

Series: The MIT Press

Hardcover: 328 pages

Publisher: The MIT Press; 1 edition (April 8, 2016)

Language: English

ISBN-10: 9780262034203

ISBN-13: 978-0262034203

ASIN: 0262034204

Product Dimensions:

7 x 0.8 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#505,075 in Books (See Top 100 in Books)

A nice way for people with less of a tech background to learn the basics of programming and how computational logic works in practice.

I bought this on the strength of the review by Casey Reas, co-creator of Processing, in which he said that he "learned things continuously" throughout this book. Like Reas, I have been coding as an artist for many years, and based on Reas's review, I expected I would learn a lot more from this book. However, the level is very elementary, and nothing the book teaches you (text processing, data visualization, animation, etc.) is developed to any significant level of depth. As this book is an introductory book on programming, for the arts and humanities, I half-expected this to be the case. However, Reas's review also noted that this book is also an exploration of "computation as culture", so I thought that even if it didn't teach me anything new as a programmer, it would offer some sort of analysis of how coding is situated within culture, how coding is ideological, and reinforces particular dominant ways of seeing the world, and relating to it. It doesn't really carry out any such analysis or critique, however, but functions more as a sort of cheerleader for coding skills - how they can help us all to improve our cognition and give us better tools to analyze and investigate the world. Montfort believes that better coding literacy is empowering, which may be true, but he doesn't offer any kind of critique of how the culture of coding is infiltrating itself into all kinds of different fields, and what effect this is having on the way we see the world and relate to people and things.. As a Professor of Digital Media, Montfort is well-placed to offer this sort of critique, and it would have been most welcome, and a point of difference between this and other "learn to code" books. It was disappointing that it didn't deliver this.It's hard for me to say how good this book is as an introduction to programming for someone who has never written a line of code, as I am not that person. In some areas it seems to go at a very suitable pace, walking the novice programmer through new concepts in a careful and skilful way. In (many) other areas it seems to gloss over complex and difficult concepts in an alarmingly perfunctory way (e.g. the section on objects and classes). In other sections it often simply suggests that the novice coder go and read the Python or Processing documentation to figure out how to, say, work with probability functions, or extend their Processing drawing skills. This is at odds with the generally slow/careful approach of the book, and I can imagine novice coders finding themselves in deep water very quickly as they try to jump into these more complex areas on their own. I have taught courses on creative coding myself, and I know just how carefully new concepts have to be introduced and reinforced so that students don't become lost. In places, it felt like Montfort wanted to cover some of these concepts, but ran out of time or space, and simply advised the reader to "go and teach yourself", which does not seem suitable for a book aimed at novices.The book has a chatty, conversational tone, which, for the most part, works well, but can occasionally become irritating when it becomes bogged down in vague generalities for paragraph after paragraph.I think this book could be greatly improved in the next edition, with some judicious editing, and fleshing out and extending some of the chapters which are too superficial in their treatment. For example, the chapter on statistics and visualization may as well have been left out, as it covers so little, and this is disappointing as the cover illustration of the book promises so much in this area. There is much here which is good and useful (like the general introduction to working with Python) but also much that feels half-finished, perhaps added at the last minute and never fleshed out, to meet a publishing deadline?

I am an English teacher at a state university, and I was given this book by the chair of my department because she wanted me to see if I could develop a programming course for our liberal arts majors. I am not an idiot when it comes to computers; I have done some html/css coding in the past to create my own course websites. I am, however, new to coding itself.I found this book to be in one breath easy to follow, but in another, using advanced terminology and concepts that left me lost, confused, and frustrated. For example, I am not familiar with setting up directories and using the command prompt to navigate them, yet Montfort glosses over these steps (upon which a good deal of his following tasks and examples rely). As a result, I got stuck and began looking for another text that kept the true beginner in mind.I also found Montfort to be long-winded and trying too hard to be funny, which is a huge turn-off for me in a text book that is supposed to be teaching me a skill. I felt bogged down in his wordiness, which frustrated me further because I just wanted to get to what I needed to learn.

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Download PDF Penny Stocks For DummiesBy Peter Leeds

Download PDF Penny Stocks For DummiesBy Peter Leeds

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• Published on: 2013-04-03
• Released on: 2013-04-03
• Format: Kindle eBook

From the Back Cover

Want to make a big bet for an even bigger return? Start thinking small!

Penny Stocks For Dummies arms you with the information, advice, and tools you need before considering an investment in penny stocks. You’ll also get expert guidance on identifying growth trends and market sectors positioned for rapid growth, finding undiscovered penny stocks, and understanding the fundamentals of a potential investment in penny stocks. If you don’t have a lot to invest right now but do want to multiply what you have, penny stocks are for you!

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