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Thursday, May 17, 2012

Ebook Download Integrating the Packaging and Product Experience in Food and Beverages: A Road-Map to Consumer Satisfaction (Woodhead Publishing Series in

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Integrating the Packaging and Product Experience in Food and Beverages: A Road-Map to Consumer Satisfaction focuses on the interrelationship between packaging and the product experience. In both industry and academia there has been a growing interest in investigating approaches that capture consumer responses to products that go beyond traditional sensory and liking measures. These approaches include assessing consumers' emotional responses, obtaining temporal measures of liking, as well as numerous published articles considering the effect of situation and context in the evaluation of food and beverage products.

For fast-moving consumer goods (FMCG) products in particular, packaging can be considered as a contributor to consumer satisfaction. Recent cross-modal research illustrated consumers’ dissatisfaction or delight with a product can be evoked when there is dissonance between the packaging and the product experience.

The book includes an extensive overview of an adapted satisfaction scale that has been tailored for the food and beverage sector and which identifies varying satisfaction response modes such as contentment, pleasure, and delight with a product. This is an important development as it provides insights about products that can be used to market specific categories and brands of foods and beverages.

The book demonstrates the value of this approach by bringing together case studies that consider the interrelationships between packaging design, shape, on-pack sensory messages, expectations, and consumer satisfaction with the product.

  • Focuses on the inter-relationship between packaging and the product experience, specifically in the context of the food and beverage sector
  • Presents the expectancy disconfirmation model of satisfaction, which is well developed within the social sciences, to the food and beverage sector
  • Contains case studies demonstrating how these practices can be used in industry to better enhance customer’s responses to products
  • Includes an extensive overview of an adapted satisfaction scale that has been tailored for the food and beverage sector and which identifies varying satisfaction response modes such as contentment, pleasure, and delight with a product

  • Sales Rank: #3889485 in Books
  • Published on: 2016-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 6.10" l, 1.44 pounds
  • Binding: Hardcover
  • 220 pages

About the Author
Peter has over eighteen years research experience in consumer and sensory sciences and is a Full Member of the Market Research Society (Dip MRS), Association for Qualitative Research, Institute of Food Science & Technology (IFST) and Society of Sensory Professionals. Since graduating from Leeds University with a BA (Hons) Degree in Economics, Peter's research career has included client side research and business development posts within the retail and financial sectors.
Peter joined Campden BRI in 2003 and was appointed Head of Department for Consumer and Sensory Sciences in 2005 where he is responsible for the delivery of both contract consumer and sensory testing and ongoing research for industry and public sector clients.
Throughout his career, Peter has developed broad knowledge and experience of the technical and business development needs of the food industry spanning new product development, retailing and quality assurance, as well as investigating consumer attitudes on broader food issues in the changing marketplace.
Peter has extensive knowledge of mainstream consumer research and sensory testing methods and is a standing lecturer on the University of Nottingham's PG certificate in Sensory Science.

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Free PDF Infrastructure as Architecture: Designing Composite NetworksFrom Brand: Jovis

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Within the past one hundred years, infrastructure has played a key role in dramatically reformatting the built fabric and spatial reserves, and will continue to do so in the future. The involvement of architects is necessary to shape the development of infrastructural design.

Infrastructure as Architecture contains a selection of influential architects and writers who have critically evaluated the coupling of these fields through essays and projects. The book is structured by five organizing themes that frame the diverse approaches to the subject, namely: Infrastructure Economy, Infrastructure Ecology, Infrastructure Culture, Infrastructure Politics, and Infrastructure Space/Networks.

Contributors:
Stan Allen, Bureau E.A.S.T., Mark Campbell & Deane Simpson, Stefano Casciani, Dana Cuff, Alexander D'Hooghe, Keller Easterling, Lateral Office, Jesse LeCavalier, MVRDV, Stephen Read & Patrizia Sulis, Simon Sellars, Kelly Shannon, Cary Siress, Jonathan D Solomon, Katrina Stoll & Scott Lloyd, Georgeen Theodore, Geoffrey Thün & Kathy Velikov, UrbanLab, and Urban Think Tank.

  • Sales Rank: #1248642 in Books
  • Brand: Brand: Jovis
  • Model: 16802507
  • Published on: 2011-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .60" w x 6.60" l, .90 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Used Book in Good Condition

About the Author
Katrina Stoll is an architect, urban designer, and educator. She is currently a teaching fellow at North Carolina State University College of Design. She received a Bachelor's degree in cultural anthropology at Cornell University and a Master of Architecture from Columbia University. From 2007-2008, she taught architecture and theory at Syracuse University. Between 2008 and 2010 she taught architecture and theory, and directed the Master of Advanced Studies in Urban Design program at the ETH Zürich. Along with Scott Lloyd and Room 11, Katrina developed the IP2100 project, which was featured at the Australian Pavilion for the 2010 Venice Biennale. She contributed to the publication Cities of Change: Addis Ababa.

Scott Lloyd is the principal of Deliver, a design studio exploring identity through the politics of space and aesthetics. He is currently completing a Master of Science in Architecture at the ETH. He co-edited EPI, the journal of the Beijing Architectural Biennial and curated Spaces of Flow at the National Museum of China, an investigation of China's emerging urban condition. He has worked in architecture and as an art director in Switzerland and China, and on collaborations with Room 11 in Australia - Room 11 work across a broad range of scale and type, incorporating a cross disciplinary approach to architectural design and research.

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Tuesday, May 15, 2012

Get Free Ebook Discovering the Arts of Japan: A Historical OverviewBy Tsuneko S. Sadao, Stephanie Wada

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Discovering the Arts of Japan: A Historical OverviewBy Tsuneko S. Sadao, Stephanie Wada


Discovering the Arts of Japan: A Historical OverviewBy Tsuneko S. Sadao, Stephanie Wada


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Discovering the Arts of Japan: A Historical OverviewBy Tsuneko S. Sadao, Stephanie Wada

This handy reference book is perfect for anyone interested in Japanese art, whether they be art history students and enthusiasts or tourists visiting Japan. A comprehensive overview of the major trends in art throughout the history of Japan, Discovering the Arts of Japan includes a select bibliography and list of major museums housing collections of Japanese art. Handsomely presented and easy-to-use, this book offers a valuable introduction to the subject, and encourages further in-depth study of specific periods and art forms.

  • Sales Rank: #173971 in Books
  • Brand: Brand: Abbeville Press
  • Published on: 2010-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x 1.00" w x 6.00" l, 1.60 pounds
  • Binding: Paperback
  • 284 pages
Features
  • Used Book in Good Condition

Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
.,."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art



"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
, .."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art



"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
., ."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art


"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
"Well organized, the book is useful for both ready reference and for deeper research... Enthusiastically recommended." -Multicultural Review
.,."this well thought-out book beautifully presented book can be a first step in discovering the fantastic world of Japanese arts." -The Japan Times
"A remarkable job...considering great amounts of information into a brief, highly readable and impressively clear text." -Kendall Brown, Associate Professor, California State University, Long Beach
"An eloquent guide for the neophyte and a ready reference for the seasoned traveler [to Japan]." -Barbara Brennan Ford, Curator, The Metropolitan Museum of Art

About the Author
Tsuneko S. Sadao studied art at the University of California at Berkeley. She has worked as an art consultant to Japanese museums and galleries for many years, and is presently consultant to the Isamu Noguchi Foundation, Inc., in the U.S. and Japan.

Stephanie Wada is Associate Curator of the prestigious Mary and Jackson Burke Foundation and the Mary Griggs Burke collection of Japanese Art in New York. She has taught Asian art at Columbia University and the City University of New York.

Excerpt. © Reprinted by permission. All rights reserved.
INTRODUCTION

The genesis of this book was a seed planted many years ago when I took a course in the history of Western art in New York. At the end of the course we were given the assignment of preparing a scrapbook with illustrations highlighting important trends in the development of the arts, an exercise that I found both instructive and stimulating. It occurred to me that a similar concept could usefully be applied to a book introducing Japanese art to a non-specialist audience. The aim of this book, then, is to present a concise but comprehensive survey of the arts of Japan from pre-history to the start of the modern era.

The insular culture of Japan can best be understood as a process whereby successive waves of imported ideas and artifacts were assimilated and synthesized into a new interpretation. This survey commences with what we know of prehistoric Japan, when objects were created both ceremonial and utilitarian use: they are “primitive” yet expressive, and show the lively creativity of the early inhabitants of the Japanese islands. The sixth century saw historically documented contact with Korea and China, which heralded a golden age of Buddhist art with magnificent temples housing masterpieces of sculpture and painting. Elements of Chinese culture were eventually assimilated into a refined indigenous court culture, which produced a new style of Japanese painting in the form of beautifully illustrated hand scrolls. The subsequent decline of the imperial court and rise of the warrior clans witnessed a trend toward realism in sculpture, and the elevation of sword-making into an art. A new wave of Chinese influence in the form of Zen Buddhism emphasized a meditative spirit and an aesthetic of simplicity, epitomized by the dry landscape gardens of Zen temples, and the tea ceremony. The flamboyant sixteenth-century military leaders inspired a grand age of castle building, with magnificent paintings adorning castle interiors, while kiln technology introduced from Korea altered the course of Japanese ceramic production. During the three hundred years of national isolation instituted by the Tokugawa shoguns, the arts spread beyond the exclusive domain of the privileged classes amongst the general populace, as manifested in the popular ukiyo-e woodblock prints. The fall of the shogunate was followed by rapid Westernization and profound changes in society, which in turn revolutionized the arts.

This brief summary encapsulates the flow of developments in Japanese art which we have tried to capture in this book. Our presentation is essentially image driven, with nearly 250 photographs carefully selected from important collections housed in museums, temples, and shrines, as well as private collections inside and outside of Japan. Some of these show well-known major works, while others are rarely available to public view. Certain works carry the notation National Treasure or Important Cultural Property. This designation indicates the Ministry of Culture’s assessment of the importance of these works to the national patrimony under the 1950 “Law for the Protection of Cultural Properties.”

The preparation of this book has been a long and rewarding learning process for me. It is my hope that it will increase your interest in the unique and fascinating art of Japan and stimulate you to further study in the subject.

Tsuneko S. Sadao

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Wednesday, May 9, 2012

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Audible Audiobook

Listening Length: 6 hours and 54 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Listening Library

Audible.com Release Date: December 28, 2003

Language: English, English

ASIN: B00022FDH6

Amazon Best Sellers Rank:

Why I Think Boys May Enjoy ThisIf ever there was a book series that could be used to introduce the concept of “anti-hero” to a middle grade audience, it is Artemis Fowl (or, you know, my novella Anchihiiroo – Origin of an Antihero, but I digress). Artemis Fowl II, in the debut book of this series, is the very definition of someone willing to do anything it takes (even a little kidnapping and ransom-demanding) for what is ultimately a good cause (trying to save his mother). One of my favorite things about this series is that Artemis, being a genius, has a very large vocabulary. The diction in this book is a lot more advanced and complex than many other middle grade books and I personally used it as a benchmark in my own writing for not talking down to a young audience (which I find many, many middle grade and even young adult books do). Colfer has found that great sweet spot to challenge young readers without dismissing their capabilities.That being said, the story is a simple one that is very easy and fun to follow. The basic frame of the story follows the “heist” format. There are twists and turns and plans on top of plans. Sometimes they work and sometimes they fail. Sometimes they seem to fail but end up working (think of a fairy tale version of Ocean’s 11). Apparently Colfer himself has referred to it as “Die Hard with fairies” with which I can’t argue. Colfer has created his own sub-society of magical fairy creatures that presents the underlying mystery and magic to the series. At the same time, Artemis is a regular (well, as regular as a multi-millionaire genius pre-teen with a bit of an evil mastermind complex can be) human kid who breaks open the mysteries of this underworld.When I first discovered this series years ago, I was excited to find a middle grade series that had a protagonist that wasn’t your bubbly “chosen one” stereotype. Artemis, due to his intelligence and resources, is way deeper and more complex than your typical middle grade hero. That alone is worth a read. Couple that with a fun and colorful underworld full of faeries, gnomes, and other supernatural beings and it’s a can’t-miss.Content/AppropriatenessThis book is more than appropriate for the youngest of readers. Any violence is cartoonish in nature, for the most part. There are no language or sexual content concerns either.As the series goes on, there are points that get a little darker, but never does Colfer waver from the PG family friendly nature of this first book.As an aside: there is also a wonderful graphic novel adaptation of this first book that can serve to help a struggling reader or a reader who might need a little more visual aides (or just someone who really likes graphic novels!).Rating5/5 Giant Cartoon Mallets from Toonopolis, The Blog's Books for Boys Review

I actually enjoyed this off-beat little book more than I had expected, considering it has taken me years to getting back to reading it. I originally bought it for a defunct e-reader connected to another store--and I never finished reading it. I started over at the beginning, since it had been so long since I first sat down with it. This is an interesting, quick read. The pacing is pretty good. The story is quite funny and charming at times.I do wish there had been some formatting differences for the rather frequent point-of-view shifts. Sometimes there was no indicator, such as spacing, asterisks, a divider, etc. There was a lot of "gross-out" content. I really grew a little weary of the dwarf and his flapped trousers... For parents, there is a bit of light swearing consisting of mostly "damn" and "hell" (and a few made-up and implied explicitive phrases). Some may be concerned about the death of a rabbit at the hands of the flap-trousered dwarf.Overall, this was an entertaining read. I will likely be "back" for book two, once I've cleared up some of my Kindle slush-pile. I don't regret re-purchasing this in Kindle format, at least, it filled a few sessions of light reading for a few days.

I made it a third of the way through this drivel before calling it quits. I had no preconceptions about this beyond seeing that is had a Disney designation on the title page. (Kindle format) The main character should be Foul, not Fowl. Rotten genius of a boy, Artemis does not say he is looking for gold to cure his mother or find his father. He is looking to revive the coffers of a thieving family. I see Disneyworld thrown out there quite often, guess a plug for the outrageously overpriced theme park (Anyone pick up that Artemis is the genius (f)owl from Disney's The Sword In The Stone?) The characters are one dimentional, the story went all over the place. While I had no problems with the vocabulary, who exactly is the author targeting?I My last point, and this can be said of every aspect of Amazon reviews, from books to other products: If you like something a lot, give it a 5 star rating. Hate it? Give it one. I get not being able to change your mind and not able to fix it here, but if you just flat out rate a book wrong, you do a disservice to the author. I have this book two stars only because someone took the time to write and publish a book. The only 1's I door out to to poorly written and poorly edited books. No excuse for bad editing.

This is a great introduction to Sci-Fi for any kid in love with fantasy. Colfer mixes "real" magic with scientific advancements to create a race of creatures utterly and believably delightful. The snarky and pithy dialogue mixed with potty humor (e.g. a dwarf who eats and digests soil is constantly farting dirt missiles at would-be assailants) is sure to captivate the 9-12 age range of both genders. There is a redemptive quality of the book. There's really only one character (the main female role) that is entirely "good" but nearly every character has positive moral growth even with all the stealing, fighting and poor model behavior throughout.

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The Eternity Code: Artemis Fowl, Book 3 PDF

The Eternity Code: Artemis Fowl, Book 3 PDF
The Eternity Code: Artemis Fowl, Book 3 PDF

Friday, May 4, 2012

Free Ebook Married for Amari's Heir (One Night With Consequences)By Maisey Yates

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Married for Amari's Heir (One Night With Consequences)By Maisey Yates

Married for Amari's Heir (One Night With Consequences)By Maisey Yates


Married for Amari's Heir (One Night With Consequences)By Maisey Yates


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Married for Amari's Heir (One Night With Consequences)By Maisey Yates

She will share his bed… 

It may have been Charity Wyatt's father who stole from mogul Rocco Amari, but it's Charity who will pay the price of Rocco's vengeance. 

Carry his heir… 

Relinquishing her virginity should have covered Charity's debt, but her one white-hot night with the enigmatic Italian has unexpected consequences. 

And be his wife! 

Determined her baby will have a better childhood than she did, Charity asks Rocco for financial help. But Rocco has bigger plans in mind: to legitimize his heir by making Charity his wife! 

When one night…leads to pregnancy!

  • Sales Rank: #873172 in Books
  • Published on: 2015-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.61" h x .50" w x 4.21" l, .21 pounds
  • Binding: Mass Market Paperback
  • 192 pages

Review
''Yates' interesting tale contains lively writing and good characterization. Rocco is well drawn in that he's still damaged from his past, as is Charity in her refusal to take too much blame for her father's actions.'' --RT Book Reviews (4 stars)

About the Author
New York Times Bestselling author Maisey Yates lives in rural Oregon with her three children and her husband, whose chiseled jaw and arresting features continue to make her swoon. She feels the epic trek she takes several times a day from her office to her coffee maker is a true example of her pioneer spirit. 

 

Excerpt. © Reprinted by permission. All rights reserved.
You will meet me at The Mark at 1:30 p.m. You will wear the dress that was sent this afternoon. In this bag is the lingerie you will wear beneath the dress. This is nonnegotiable. If you do not comply, I will know. And you will be punished for it.—R

Charity Wyatt looked at the very highend shopping bag that was sitting on the hall table in her entryway. It was a deep gray color, innocuous, except for the famous lingerie label printed on the side. It had matching slate tissue paper inside, and underneath the very first fold of paper was a thick white envelope with a card inside. She knew, because she had opened it. Opened it and read the instructions that were printed on it while her cheeks burned with rage.

The card was now tucked safely back into the bag. She didn't want to read it again. Once was enough.

The Mark. A clever location to ask for a meet up, since, six months ago, that was what he had been to her father. And to her.

A mark, part of a con. A mark who now had her utterly and completely at his mercy. She hated that. Hated being on the losing end. Hated being at a disadvantage.

She should have sent her dad packing when, after nearly a year of no contact, he'd breezed back into her life.

One more, Charity. Just one more.

Just one more and it would all be golden in the end. How many times had she heard that? Always with his signature wink and smile, the charm that got him everywhere in life. Oh, how she'd craved the chance to be in his circle. To be a part of him. To be valuable enough to him that he would take her everywhere. No more time spent on her grandmother's couch, wondering when her dad would be back. No more terrifying nights alone in an empty apartment while he went out and "worked."

It would all end, once he had the perfect score.

He was so good at spinning golden stories out of straw. And she wanted to walk down into the glittering world he always spoke of. Where things were easy. Where they would be together.

But it always took just one more job.

All her life, her dad had promised there would be rainbows after the storms. So far all she'd ever seen was the thunder and lightning. She had yet to get her rainbow, and this time was no exception.

In this instance, he had left her standing in a puddle, holding a lightning rod.

The minute her father had left town she'd known she was up a creek. But she'd stayed. Because she didn't have anywhere else to go. Because she had a life here. Had some friends. Had a job. And she'd been certain she would avoid detection. She always had.

Six months of silence. Six months of her life going on as it always had. Six months to get over her father's betrayal. Six months for her to forget that she had made a powerful enemy.

And now this.

This demand.

It came one day after he'd made contact for the first time. A call to her cell phone from an untraceable number.

She knew what he looked like. Rocco Amari was famous, the media's favorite businessman playboy. He had model good looks, shiny cars, shinier girlfriends. Basically, everything you needed to capture the attention of the public.

She had seen him before in print images, but she had never heard his voice. Until yesterday. Until he'd made contact. She'd realized quickly that she couldn't outrun him, that she couldn't hide from him.

Not without pulling up stakes and disappearing into the night. Leaving her little apartment, her restaurant job, her small group of friends. Becoming a vapor, as she'd been in her childhood. Invisible. With few enough things to stuff them all into one bag so she and her dad could run quickly if they needed to. Then her dad could drop her at his mother's for "a while" at a moment's notice.

No. She hadn't been able to face becoming that person again. A ghost in the human world, never allowed to touch anything. Never allowed to be a part of anything.

So she'd stayed.

Which meant pulling a much more brazen con than she would like. One that would hopefully end this thing with him, and see her on her way. Free and clear. She had to go to him, convince him of her innocence.

But he hadn't been playing by her rules. And then he'd finally called.

"Charity Wyatt?"

"Yes?"

"We've never spoken before, but you know who I am. Rocco, Rocco Amari. You have something that belongs to me, my pretty little thief." His voice was deep, his Italian heritage evident in each syllable. It was the kind of voice that seemed to have a flavor all its own, something smoky, like Scotch and cigars. It curled itself around her, around her throat, made it difficult for her to speak.

"I am not a thief," she said, injecting a note of ringing conviction into her voice. "My father is a con man and he—"

"Andyou are his accomplice," he said, the certainty in his voice squashing the false ring of conviction in hers.

"I need to explain. He lied to me. I didn't know what I was doing!"

"Yes, yes. Very nice, hysterical cries about your innocence. However, I find myself unmoved."

She bit her lip, trying to force herself to feel persecuted, to call up everything she 'd felt when her father had left. So that he could hear a truth that wasn't there. "But I didn't mean to steal anything from you."

"And yet, I find myself short a million dollars. And your father is nowhere to be found. Things must be made right."

"If I could get hold of my father, I would see that he returned the money." Even though she knew it had been put into other assets by now.

"But you can't get hold ofyour father, can you? " No. No she couldn't. Even if she could, she doubted he 'd be on hand to bail her out of trouble by putting his own neck on the chopping block. He 'd left her to deal with this on purpose.

"However," Rocco continued, "I find that I have a suggestion foryou…a deal."

"A deal?"

"Yes, but I do not discuss important business on the phone. You will receive instructions tomorrow. Follow them, or I will change my mind. And I will press charges. And you, Ms. Wyatt, will spend quite a few years in jail for fraud and theft."

* * *

And that was how she found herself here. With these instructions, with this bag, with the dress that was still sitting in its garment bag, because she was afraid to look at it.

But then, ignoring it wouldn't make it go away. Ignoring Rocco wouldn't make him go away. Wouldn't remove the threat that had been placed on her freedom.

She would have to go to the meeting. She would have to comply with his instructions.

And after that, she had no idea what she would do. Her eyes fell to the lingerie bag again. A shiver of disgust wound down her spine. She didn't know what his offer would be, but a suspicion was starting to form. One that didn't sit well at all. One that, now it had entered her mind, would not be removed.

It was silly, of course, because she couldn't imagine why he would want her in lieu of a million dollars or justice. But there was lingerie. That fact remained.

No matter what her concerns, she had no choice but to comply.

It was either that or jail.

And as terrifying as the bag of lingerie was, an orange jumpsuit was far, far scarier. There were enough courtroom dramas on TV painting law and order as a great equalizer that Charity knew most people must see the justice system as something that protected them.

She never had.

Her father had talked about Robin Hood. Twisting tales where thieves were heroes and anyone in uniform was out to shore up the impossible walls built around the rich and elite. Walls that kept people like them down and out.

Yes. The law was nothing but evil. Jail, the worst fate that could befall someone like them because they could disappear in there. No one on the outside cared about people like them. The ones on the bottom rung of society. They had to take care of themselves, because no one else would.

There was a very large part of her that still clung to those teachings, was still shaped by them.

But she'd talked her way out of worse.

She just had to find her angle.

And once she found it, she would exploit it to the best of her ability. And her abilities on that score were pretty damn good.

Rocco might think he had the upper hand…and she would allow him to continue thinking that.

The dress was so tight that Charity could barely breathe. Sheer layers of black lace that clung to her curves and revealed hints of skin beneath. There had been shoes in the bag which, somehow, fit her, just like the dress. Just like the lingerie. The heels were tall, and given the brief hemline of the garment, lengthened her legs and showed a whole lot more skin than she was comfortable with.

Which was, in many ways, going to work to her advantage. The fact that she was uncomfortable in these clothes would help. She could use it, and use them.

Charity took a deep breath and walked through the black entryway doors of The Mark, her impractical heels clicking loudly on the black-and-white-striped tile. She walked through the lobby area into the entrance of the restaurant, feeling her face heat when the hostess appraised her.

The woman's expression remained neutral, and yet, somehow, Charity sensed a hint of disdain beneath it.

She could well imagine that women in tight, tiny dresses only served one purpose in an establishment like this. If Rocco had intended to humiliate her, he was doing a very fine job.

Yet again, not necessarily a bad thing. Because she could embrace that. Go ahead and welcome the heat she could feel spreading in her face, the slight trembling in her legs. All the better to play the part of shivering ingénue.

All the better to appeal to his humanity.

"I'm here to see…Rocco Amari," she said, placing a slight hesitation before his name. Getting into character already.

This earned her a slight smile. "Of course, miss. Mr. Amari keeps his own private table in the back of the dining room. He has not arrived yet, but I'm happy to show you to your seat."

The hostess turned and began to walk into the dining room, and Charity followed. Her high heels sank into the plush carpet, her ankle rolling slightly with each step. She put all of her focus on walking in a straight line and not breaking a bone.

She hadn't worn shoes like this in a while. The mangled sidewalks that ran through the ancient New York neighborhood she lived in certainly weren't practical for this kind of footwear. And in her line of work, she rarely wore anything fancier than black slacks and a black polo shirt. Along with some very sensible sneakers that allowed her to stand on her feet all day.

Her waitressing job, at a restaurant that was much less posh than this one, was the first real job she'd ever had. After her dad had left last year she'd wanted to get out of their "family business." She was old enough now to understand that running cons wasn't just a job, and that, no matter how rich or terrible the people you conned were, it wasn't any way to live your life in the long term.

But then he'd come back, all beguiling smiles and laughter, the kind she'd missed since he'd been gone, and he'd asked her to help him again.

Just one more time.

She could stab her own arm with the salad fork. She was such an idiot. She was a con who'd been conned by a con. And now she was in too deep.

"Can I get you anything to drink?" the hostess asked.

Charity weighed her options. On the one hand, sobriety would definitely be an asset when dealing with a man like Rocco. On the other hand, she needed something to help her get a handle on her nerves. Sometimes wine made conversation flow a little more smoothly.

"White wine," she said. She didn't have to drink it after all. But it would be there if she needed it.

"Of course, miss." The hostess disappeared, leaving Charity sitting alone.

Charity glanced at the menu, not really bothering to read the descriptions of the food. Everything would be good at a place like this, but she was feeling a little nervous. Her stomach always got funny when she was lying. Which was inconvenient when you had to lie a lot.

While she was skimming the menu a hush fell over the restaurant. Or, perhaps the restaurant had already been hushed and something else in the atmosphere changed. Grew thicker, tighter.

Whatever it was, there was a change.

She looked up, just in time to see a man walk in. He was arresting, and she wasn't the only one who found him so. It seemed that almost every eye in the restaurant—male and female—was on him. He was tall, sleek like a panther. His black hair slicked back off his forehead, trim physique encased in a black suit that was tailored perfectly to the stark, lean lines of his body. But it wasn't his clothing, or the handmade Italian shoes on his feet, nor the impossibly expensive gold watch on his wrist and the no doubt overpriced sunglasses he pulled from over his eyes as he walked deeper into the restaurant, that held everyone's attention.

It was something deeper. Something more. A magnetism that could not be denied.

Everything about him was designed to capture and hold the attention of an audience.

And as he drew closer she could see that he was extraordinarily handsome. Olive skin, high cheekbones, a strong, straight nose. And his lips… She couldn't remember ever noticing a man's lips before, but she certainly noticed his.

Rocco Amari was even more beautiful in person than he was in the glossy pages of a magazine. So annoying. Why couldn't he be a sad disappointment?

"Ms. Wyatt," he said, that voice as affecting now as it had been over the phone. "I am pleased to see you made it. And that you found the dress to your liking."

That comment made her wish her wine was already here, so she could throw it in his face. He had given her no choice, and he knew it.

Don't let him get to you. You have to get to him.

"It is a very good fit," she said. "As we have never met before, I was a little bit surprised by that."

"Oh, I had you investigated. Very thoroughly." He took a seat in the chair opposite her, undoing the button on his jacket as he did, and suddenly several members of staff seemed to materialize out of nowhere. "We will have what the chef recommends," he said.

The staff melted into obscurity after that and Rocco turned his full attention to her, his dark eyes blazing with a kind of sharpness that seemed to cut through her. It was disconcerting to say the least.

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